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When penalties for copyright infringement are higher and more severe than what seem to be more serious crimes – domestic violence, abandoning a family, abuse and cruelty to animals to name a few – the public loses support and respect for copyright law. Artists have to be more pro-active & learn business. Indiegogo works with Google Analytics to track and classify income. That is an important question in going further with the transmission/broadcast of recorded (and live) music and the collection and distribution of royalties. I added “government” in that sentence because if it wasn’t for a very large and powerful central federal government and its blueprint plans, i.e., the Constitution, there would be no copyright law and no basis for federal support for authors and inventors. I did not look at my program so I did not use their names in my tweets. Text in parentheses were my opinions and not necessarily those of the speakers. 140 characters have hurt and nearly destroyed careers.Many of us agree that a small claims copyright court could be an improvement over the present expensive and time-protracted federal court situation. #FMC13 For many years (since the 20th century, one century ago), I’ve used the CIA World Factbook to learn about other countries (as well as other sources). Is a “forest of streaming” good, great, bad, horrible, neutral, inevitable or just the way it is? I-Gogo encourages artist & aud to be smart in planning & funding #FMC13 141. I thought before too much time passes, I should collect my tweets and comments about The 2013 Future of Music Coalition Policy Summit held in Washington DC October 28-29, 2013. And with the status of laws and litigation always in flux, interested parties need to continue to lobby their government to keep acting on their behalf. Jeremy Peters: Copyright is broken but other than Creative Commons, what is being done to fix it? We’re moving from culture of owners to that of renters (of intellectual property – IP) #FMC13 12. Artists who have been burned so badly by the miscreants in the music business – go out on their own is an option #fmc13 14. The that follows some of the tweets below are my comments on specific points of the panel. If artist works a song hard & will make the song, it’s ok for songwriter to part with 10% publishing (Elvis Presley was mentioned as one who would record and expect a piece of the publishing pie in return. My wild guess, based only on my own work and observations and not any formal study, is that Instagram has not hurt as many artists and celebrities as Twitter, even if a picture tells a thousand words.)(Facebook has one the clearest “Statement of Rights and Responsibilities” (SRR) that is tantamount to a terms of service (TOS) or end users license agreement (EULA).If copyright infringement actions didn’t take so long, they wouldn’t cost so much and those who wish relief from the court would be more likely to pursue actions if the cost and time period was not as extensive. Rdio is a little lower (comparisons to money collected from Spoitfy) #FMC13 137. Or some combination of those descriptive adjectives in that last sentence? Audience member: No one knows where the streams are happening. This panel is good but I need to get away from my screen & go play outdoors in the fresh air & diminishing sun before Red Sox game #FMC13 142. The 2013 World Series was happening at the same time, so FMC was not my top priority. The conversation of “you are all thieves” to those not paying for IP is useless. Stream of income helps buy new gear, but this is not a solution, just an income stream #fmc13 15. Songwriters Assn of Canada Prez has introduced himself as “sad Eddie.” Because of the Cardinals WS loss? ________________________________________________________________________________ 1. He was forgiven by the panel because “HE’S ELVIS,” and if St. Hip hop world is complete opposite of pop in generating revenue – they can’t do as many live dates. nms13 _________________________________________________________________________________ 21. It’s always “fun” to have even more acronyms enter the public discourse, isn’t it?(I’ve been in several cases that took more than 6 years – I am in Year 9 of one now.) One songwriter expressed a strong desire to sue individuals who have downloaded his songs. New developments in music industry that broaden the possibilities? Taking notes and tweeting about an event is also not my favorite activity but one that I occasionally delve into. Get rid of minimal fee (for mechanical royalty) & concentrate on the amount of time is used in a composition or film #fmc13 16. A new mechanical license proposal that is clear to artists, publishers, lawyers & the courts is needed. Elvis of Tupelo (not their term for the Deity) records your song, your career has gotten a big bounce. 90% of band’s & manager’s money comes from live shows & merch. I expect to see a DWWS (Do What We Say) agreement or from the film, “Shawshank Redemption,” YABTM (Your Ass Belongs To Me) agreement.)nms13 (I have found the study of technology, social media, mobile devices, and communication, as well as the business and legal issues surrounding these nouns, much more helpful in understanding the present state of the music and entertainment industry.Many of the panelists seemed to agree that the statutory damages for copyright infringement are too high. Musicians need to develop their skills of conning people into thinking they (the musicians) are needed and should receive money for playing and/or writing music. Music creators embrace these models (EMH: not the RIAA) #fmc13 I think it is very bad to always ignore, then underestimate, misunderstand, litigate and then try to legislate against new technologies (a la RIAA & MPAA versus every new tech toy). Continue reading The second session of the New Music Seminar I attended was the Managers Movement.The 0,000 per willful infringement screams of excess. BMI uses “aggressive sales.” More digital/census than sample data. Best example ever why metadata so unreliable: there’s no database of the ISRC numbers given out to recordings over past two decades. Will a singular GUID (Globally Unique Identifier) be developed that will manage this, or will there be another means by combining preexisting numbers and codes mentioned above that can handle this identification/royalty system? These skills have to be developed with an eye and ear for social media, business, technology, government and new means of touching the world. The speakers were “Blue” Williams (President, Family Tree Entertainment), Jake Gold (President & CEO, The Management Trust), Lee Trink (President, Dare Might Entertainment), Robert Fernandez (CEO, Famous Artist Music & Management), Dean Raise (Artist Manager, C3 Management), Jason Foster (Owner, We Are Free) and Steve Rennie (Founder, Renman Music & Business). (Instagram is “instant” (duh) and harder to do wrong than using too many words (ha ha ha) of Twitter.That, rather than the plight of those who are accused of infringing the copyright of an individual song by means of a new composition, was of more concern to one person on one panel. Yell at your record label if you’re not getting much money. Disappoitntment – SR do not have terrestrial performance right. (Grammar Girl believes we should be able to end sentences with prepositions, in case you were wondering abut that last sentence.) This will be fun to collect and NUMBER tweets. Methodology that can fairly compensate artists, writers. It was and will always be OK to give Elvis some of your publishing in exchange for the favor of recording one of your songs.)feely” or touchy feely to the extreme, it is sage advice. One can make money and “get back” money but even with scifi, Google and tech, we still cannot get back time. Managers need to get fans attentions to do more than just click. I’ve always believed that outsiders bring more objectivity, creativity and original thinking and actions to a field.__________________________________________________________________________ An idea I brought up seemed to get a lot of attention. I had no idea that I wrote 75 tweets (shown below) and more in the next posts. Famously, it took an outsider, Steve Jobs, to show how a digital music market should work.) 27.

This is not an indication of a security issue such as a virus or attack.This will be my last RECAPTURE-OF-MY-TWEETS post for now – that is, the last RECAPTURE of the 2013 New Music Seminar.The over-arching theme – that the rapid growth of technology is a fact of life that those in the music and entertainment industry must confront – continued.It could be something as simple as a run away script or learning how to better use E-utilities, for more efficient work such that your work does not impact the ability of other researchers to also use our site.To restore access and understand how to better interact with our site to avoid this in the future, please have your system administrator contact [email protected] friend suggested I write a short account of the events at the Copyright Green Paper Roundtable Workshop sponsored by the United States Patent and Trademark Office and the Department of Commerce Internet Policy Task Force held at the Vanderbilt University Law School on May 21, 2014. Musicians, whether they want to acknowledge it or not, are involved in the world of business (who pays for these habits of theirs? We’re hearing “I love the Internet” (“some of my best friends are black” comes to mind…) Then comes the HOWEVER. “However” is Canadian for “but.” Some arithmetic is coming “the nitty gritty.” What’ll follow is lots of Internet plays & tiny money #fmc13 22. Rich people get richer by these new legit services while musicians stay poor. That was the beginning of a 444-day long odyssey and an event that made life more complicated and dangerous for our citizens who would ever travel to the Middle East, then and now.